Man Yong, a landscape painter, is willing to support the new eight scenes of spring city with his works.
Ji'nan times Author: Guo Ruijiang Dan
"the new eight scenery of spring city" entered the new stage. When the 32 scenery is about to come out, the members of the civil review team and the landscape painter look back on their own artistic creation way. It is the hometown customs that nourished their own painting skills, and they wish to return home and support the selection with the works of Ji'nan scenery.
at the beginning of the civil review group of the new eight sceneries in the city of
in the creation of a field survey, he said that as a native of the Jinan, Ji'nan has a unique view of the scenery of the city, which has been written and created around the eight scenes in Ji'nan, and has also published the calendar of the pictorial album of Ji'nan. On the occasion of the "new eight scenery of spring city", he expressed his profound responsibility and a sense of cultural mission. At the same time, he wrote more exquisite Chinese paintings to publicize Ji'nan.
for this reason, man Yong has visited many scenic spots. He said, looking familiar and strange place, there is always a kind of thoughts lingering in the mind, with the deepening of the selection of eight scenes. After painting, I looked at the picture album of Qianfo Hill, Daming Lake and the Ji'nan scenery of the past, and the fragments of memory in the pen and ink halo gradually became clear.
he recalls standing in the Xingguo Temple of Qianfo Hill, listening to the sound of buddhist buddha and returning to the 70s of last century. At that time, his teacher was Mr. Wang Yinong, the director of the Cultural Museum of Huaiyin District, a painter in the early days of the founding of the people's Republic of China, to restore the salvage response to the Buddha's murals in the Ji'nan scenic area. The first stop is Qianfo Hill. He has been fortunate enough to borrow the summer vacation and go around this historic moment with him. At that time, the statue of Buddha on the stone wall was incomplete in Qianfo Hill, and the stone tablet was obliterated. The deepest impression is the repair of the Great Buddha in the stone cave in the Buddhist temple of Xingguo. The original statue of the Buddha was completely destroyed in the "Cultural Revolution". The teacher turned the statue from the Buddha statue in the field to the plaster model, and then made a large sample and adjusted to the original place. During the working space, he and his teacher went around the corner of Qianfo Hill, and went to search for traces of life.
is willing to select
after this, and after this, full bravery again with the teacher to Daming Lake repair the statue and mural of the Arctic Pavilion, and naturally made a study of the scenery of Daming Lake. Similarly, Baotu Spring, Wan Zhu Yuan, Ling Yan temple, four gate pagoda and Buddha Valley entered his paintings in the second place. As a native born Jinan, he is fond of the scenery of Ji'nan. With the nourishment of his hometown, his Chinese painting skills are also mature, forming a style of creation with the theme of Ji'nan scenery, "full bravery painting Ji'nan" in the newspaper and magazine. "When I am now standing on the Qianfo Hill Pavilion, I look at the whole city, the scene of the past is floating, the painting and the painting of Ji'nan are superimposed on the high buildings in front of us, which has transformed the Ji'nan in my heart." Full of feelings, the spring city of Ji'nan is a city of more than 2600 years to build city history, it is the crystallization of the hard work of the Jinan people from generation to generation. Its cultural gene has been deeply precipitated in the blood of the Jinan people, with you, me, his past and the future. He said that the selection of the new eight scenes was indeed at the right time, and he was willing to sing the spring city of Ji'nan with calligraphy and paintings to express his support and wishes for the selection.