> this nine cities. In the art exhibition, Zhao Yan's works impress people with a profound impression of
Yang Bingyun's calligraphic works. "There are fewer women painters and fewer women, and fewer people of Chinese ancient philosophies like Zhao Yan." "This sentence looks abrupt, but in the view of Liu Xilin, a famous art critic, this is very pertinent. In this nine city art exhibition, there are few female artists who can impress others, and Mr. Zhao Yan is undoubtedly the best among them. "Art is not a commodity. After creation, it has been endowed with life and emotion by artists." Zhao Yan said. This edition / reporter Li Jie Dou Hao Intern Li Yu Gao Yulong map / reporter Wang Xiaofeng intern with Zhao Tianyi and Li Kuchan, Zhao Tianyi and Li Kuchan,
the first impression of Mr. Zhao Yan, she gave the first impression is special interest, pay attention, and a little attention, you will find the beauty of youth in the face that she still can follow. City life over the years. It is no wonder that Liu Xilin recalls the years of learning from Zhao Yan to learn from the Shandong Academy of Arts. "At the time, she was like a flower like a flower, smart and beautiful, at least in fine arts Cory is an invisible figure between teachers and students."
in 1940, Zhao Yansheng was in Dandong, Liaoning. Earlier, his father was only an apprentice from Haiyang, Yantai, to Dandong. Shortly after his birth, his father returned to Qingdao, Shandong, with his family and his family. So Zhao Yan's growth did not leave the island city. Due to the influence of his father's calligraphy, Zhao Yan's artistic talent came out in high school, and was paid attention to by Mr. Wu in Qingdao seven, and Wu Xiaoan was a disciple of Mr. Li Kuchan. Under the influence of Wu, Zhao Yan entered the art class of the school.
in the summer of 1962, a group of famous calligraphers and calligraphers came to Qingdao for a month's rest. At that time, Zhao Yanzheng was in the summer vacation of sophomore year. As a student of Chinese painting, he should go all in to explore the truth. Under the recommendation of Wu Xiaoan, Zhao Yan met Li Kuchan for the first time. Her talent and professional excellence were soon noticed by Li Kuchan. In the meantime, many artists were asked to learn, and some artists were invited to paint for her, which made Zhao Yan's painting skills much better. After
meeting in Qingdao, Zhao Yan consulted Li Kuchan through letters. "At that time, Mr. Li Kuchan wrote back to me directly with the brush pen, and He Qi Zhen was expensive. Sir, when I learned that I had no time to pay for my schooling, I once asked Ouyang Bingsen to send me tuition fees, and how much he could bring to his younger generation and his love for them. Zhao Yan said. Soon after
, Li Kuchan was subjected to various unfair treatment, and the connection with Zhao Yan was also interrupted. In 1968, Liu Xilin returned to Shandong from Xinjiang to visit her family and meet her at her alma mater. Knowing that Liu Xilin was going to visit Li Kuchan in Beijing, Zhao Yan entrusted him with a bag of red dates with a handkerchief to Li Kuchan, who was suffering injustice. "At that time," three is loyal to "all over the world, not to talk about art, nor to see her paintings. After Sun Dashi's painting brought about
the cultural revolution, Zhao Yan was transferred to the Art Department of Shandong Normal University to teach. At this time, she has become the wife of Shandong College of Arts teacher and sculptor Li Zhencai for many years. "She often went to Beijing to talk about art theory with Li Zhencai. When he talked about Lao Tzu and Chuang-tzu," harmony between man and nature "was often eloquent and eloquent. I know that her landscape is also getting better and better, which is definitely related to Lao Zhuang's philosophy. Liu Xilin said.
in the 80s of last century, Mr. Sun Dashi, a famous painter of the Chinese American art, returned to the mainland with his wife. Sun Dashi was a Gaotang people, and shortly after his return, Gaotang established the sun Dashi art gallery. Zhao Yan received an unprecedented shock during his visit to sun Da Shi - which made her feel so far away from her painting, and since then, she worked harder, and has always been highly praised by Mr. Sun Dashi.
in order to improve the art of painting, from 1985, Zhao Yan, together with Mr. Li Zhencai, visited the famous mountains and rivers in China, but she always liked the landscape of Guilin. "The landscape of Guilin gives me an unparalleled sense of happiness and pride. Many of my works are on the Lijiang River. The feeling of creation is that I am in the painting and in my painting." Zhao Yan said.
in 2006, when the Li Kuchan Museum of art was founded, Zhao Yan dedicated a four foot whole landscape feeling and was specially collected by the art museum. At the exchange pen of sun Dashi Art Museum, Zhao Yan's works were also specially mounted.
in Liu Xilin's twentieth Century Chinese painting history, he mentioned Zhao Yan's name as a landscape painter. In the eyes of the students of Shandong art school, Zhao Yan's landscape painting is "vast and boundless and magnificent". The ability of a woman to carry a tripod, not to let the eyebrow. Creation is a dialogue with landscape and heart
at the nine city art exhibition, Zhao Yan brought three works on Lijiang River. "I feel the rivers and rivers of the Lijiang River, listen to the beautiful legends about the Lijiang River, and I sublimate the scenes and things that I have seen and heard by my own ears." Zhao Yan said, "heaven and earth have great beauty but not words, and artists can not make the landscape realistic. Gerd said that literature and art are never a mirror of nature. It is necessary to start from the real life, obey nature, and surpass nature, and create the "second nature". My creation is also like this. When creating, we should talk with the mountains and rivers, and add what we see. The nine paintings of the Lijiang River, the painting of the rain and the Li River, and the spring rain in the Lijiang River are all the dialogues between Zhao Yan and the Li River landscape. "In the process of creation, I regard every mountain as a fresh life, and a life should be full of flesh and blood, but also sentiments." Zhao Yan said. A good landscape painting must draw its potential and take its quality.
not only is painting, but Zhao Yan thinks that if you want to create real works of art, the creator's character must also be noble, "high moral character, high quality of painting". In yesterday's joint exhibition, Mr. Chao, who lived in Gaotang, Liaocheng, made a special trip to Ji'nan and bought three paintings of her "Lijiang nine horse painting mountain", "the Lijiang River" and "the Lijiang River spring rain".
when it comes to his own creation, Zhao Yan also confuses that her vision is not good. Her daily painting time can only be concentrated in the morning. If it rains in cloudy days, it is impossible to draw. "Although creativity is exhausting, I hope to pursue the true meaning of artistic beauty with the open mind of selfless and few desires. I also hope to learn about life for decades. Zhao Yan said. Yang Bingyun's works of famous artists have become a hot spot in calligraphy works
business newspaper Ji'nan news since the opening of the JiNan Railway Station and the opening of the JiNan Railway Station. The calligraphy works have always been the focus of the audience and the Tibetan family, and the calligraphy works of Yang Bingyun are more and more popular among the Tibetan.
in last year's elegant spring festival exhibition, Yang Bingyun's debut was sold out. He also sent snow to the exhibition site to write ten copies of the word "Fu" for the public. On this exhibition at JiNan Railway Station, Mr. Yang Bingyun has produced some excellent works recently written for appreciation by calligraphy lovers. At the scene of yesterday's exhibition, Mr. Li, a senior Tibetan, praised Yang Bingyun's works. He said to the reporter, "you see this work, in the conversion of calligraphy, it is all with a center, a pen and a pen, such as cut gold, strong and powerful and natural. This style must be accomplished with deep calligraphy. Moreover, Yang Bingyun's works not only change in words, but also have unique features in the use of ink.
so far, in Yang Bingyun's exhibition, some of the works have been booked by buyers in advance. "The public likes your work, the highest reward for the author, and the artist can't stare at the money."