source: mass network
Shen Chengjun is doing calligraphy creation Volkswagen Ji'nan May 27th news (reporter He Yang) this year, the Tenth China Art Festival will be held in Shandong, At that time, Ji'nan, one of the host cities, will focus on the eyes of artists and enthusiasts from all over the country. Shen Chengjun, a native calligrapher of Ji'nan, who has been engaged in calligraphy for more than 20 years, expressed the hope that Ji'nan could take the opportunity of the "ten Arts Festival" to hold a national exhibition of famous painting and calligraphy works, and to promote the citizens from home to enjoy the works of calligraphy and painting, and to enhance the national text of Ji'nan. Influence the influence.
to practice calligraphy for more than 20 years in his spare time to practice calligraphy, Shen Chengjun said that he has been engaged in calligraphy for more than 20 years. When I was young and served in the army, I began to practise hard pen calligraphy. At that time, he could be regarded as the first "pen pole" in the company. At that time, there was no such "advanced" equipment in the army, and whenever Shen Chengjun needed to copy it, it was written by him.
when demobilization returned to the place, Shen Chengjun entered the organ work. Shen Chengjun was very tired after heavy work every day, so he thought of practicing calligraphy as a way to reduce himself. As a result, he used almost all his spare time in calligraphy practice. After work every day, he would go into his study, spread paper, unfold the words, and study ink. It was a night in it. Sometimes he was fascinated, but he didn't notice it in the early hours of the morning, but he still enjoyed it. "
" to be a "man" in the "writing" can not only copy more than more than 20 years of calligraphy in the writing career, Shen Chengjun also summed up a set of "practice words". He thinks that if you want to write a good word, you must first learn to be a man. Because life is also part of practicing calligraphy. A person must be upright and upright. He can not deceive people in particular, under the guise of calligraphy. In this way, the characters he wrote can be strong enough to withstand scrutiny. At ordinary times, he also noticed that many people now advocate "calligraphy innovation". Facing this situation, Shen Chengjun believes that calligraphy is a traditional art, even if it is to innovate, it must also draw innovative nutrition from the tradition, otherwise, the written word must be without the "soul" in it.
at the same time, Shen Chengjun also believes that reading more plays an important role in improving calligraphy level and realm. He said that calligraphy is not only the level of writing alone, but also the embodiment of the comprehensive level of a person's culture. Shen Chengjun, for instance, likes to read biographies of some calligraphers, such as the biography of Wang Xizhi. In the process of reading these books, through understanding the growth experience of these calligraphers, we can have new experience in the process of calligraphy creation, thus improving their calligraphy creation level. "If you copy only the words of others, you will never write a work of your own style." Shen Chengjun said that copying can only solve the "technical problems" in calligraphy, but if you want to really create a good work, it also needs to find inspiration from books.
his own "Chinese dream" is that calligraphy suggests that Ji'nan use the "ten Arts Festival" to do large calligraphy and painting exhibitions this year, the Tenth China Art Festival will be held in Shandong, and Shen Chengjun, who has long been engaged in cultural work, also pays attention to the cultural event. He said that during the "ten Arts Festival", Ji'nan could learn from Hangzhou and other places, and use the new Ji'nan art gallery to hold a national exhibition of famous paintings and paintings. In this way, it can not only promote the Ji'nan citizens to see the high level of painting and calligraphy works at home, but also enable Ji'nan to call their own cultural brands throughout the country and enhance the cultural influence in the country.
at the end of last year, Shen Chengjun returned from the front line, using his own words to "liberate" him from the heavy work, and let him concentrate on his study of calligraphy. In a conversation with the public network reporter, Shen Chengjun said he also had a "Chinese dream", and this "Chinese dream" is his "calligraphy dream". He hoped to be able to make a contribution to the traditional culture of the Chinese nation through his own efforts, so that he would be "satisfied".