There are collections but no library capacity. Private collectors are eager to have a platform for cooperation.
reporter Zhao Xiaolin
with the continuous introduction of "Ji'nan building hundreds of museums", people from all walks of life have put forward a lot of good suggestions on how to build the museum. Many enthusiasts put forward a question, that is, many people have collections, but they have no ability. The museum found that this is the most common problem at present.
longing to build an ancient porcelain Museum
the true products of the ancient porcelain pieces are full of
the chairman of the Shandong regional branch of the Chinese folk collection appraisal committee, which has been collecting quite a long year. At present, the collection is very abundant, especially in ancient ceramics and miscellaneous items. There are no lack of ancient famous kiln essence in its collection. Goods.
Chen Yuquan also has a special collection, which is the remnants of ancient ceramics. In the collection world, it is called the collection of porcelain pieces. At present, he has collected more than 10 thousand pieces of porcelain slices from ancient to modern times and each kiln. The original celadon, the Tang Tri Color, the Song Dynasty five famous kilns, the Yuan green flower, the Ming Dynasty Xuan de official kiln, the Ming Chenghua official kiln and so on, these precious porcelain slices which are hot in the collection circle have the collection. At present, he has set up an ancient ceramic piece piece exhibition area specially in his own place of operation, but because the area is too small, only 1000 pieces of porcelain tablets of previous dynasties are displayed in the times and kilns. "I have always had a desire to build an ancient porcelain museum with a certain scale, and put the ancient porcelain pieces that I have collected in the same way with me to show them in different categories according to the times, the kilns and kinds, so that the collector can see these real products near the distance and improve the ability of identification." Chen Yuquan said.
but what makes Chen Yuquan headaches is the practical problems of museum construction, such as land use, construction of stadiums and later management, all of which need to be put into practice. "I hope that the powerful enterprises and institutions can cooperate with me. I make the collection, the other party carries out the actual investment to build a good porcelain Museum and then develop the later cultural industry to achieve a win-win result."
want to build a domestic Camera Museum more than 1000 cameras each with features
Ji'nan folk collection home Wuchang special collection of domestic cameras, like Chen Yuquan, he is also a collection and no capacity building museum.
over the past 20 years, Ding Wuchang's time and energy is almost all used in the collection of domestic old cameras. There are now more than 1000 collections, the first of which is the 1956 year happy brand camera. It is the first batch of 120 cameras in the country. In addition, he also has a collection of 1958, the smallest domestic volume of Huashan and the Changjiang River camera, 1963 of the earliest domestic double lens 120 cameras - the Shanghai 4 type camera, the "Cultural Revolution" period produced by the distinctive times of the "Cultural Revolution" 501 Type 120 Cameras... Now, Ding Wuchang's domestic camera collection is the first in the province, and is also among the best in the country.
Ding Wuchang also wants to take out his own home camera and build a "home made Camera Museum", but has limited personal ability and no funds to invest in building venues. So he also hopes that the state, institutions, or enterprises can have special input, he will make a collection, and build a unique domestic camera material. The museum fully displays the history of domestic cameras.
collectors hope that the government will set up a cooperation platform
most collector hopes that the relevant departments can introduce relevant support policies as soon as possible, and it is best to establish a platform for cooperation between investors and collectors under the coordination and planning of the government. Responsible for the intermediary, guidance and support, the museum's specific construction problems can be specifically responsible for both sides.