There are also Terracotta Army in Shandong province?
Shandong Museum. Among them, nine (I) corona, "sacred map", cicada crown Bodhisattva and other precious cultural relics are the first to unveil the mystery of the audience.
"the Ming Dynasty Lu King Exhibition"
painted wooden figurines can be called the miniature version of "Terracotta Army" "Terracotta Army"
the Terracotta Army? Entering the exhibition hall of the Ming Dynasty Lu King exhibition, it is the burial painted wooden figurines of the Ming Dynasty Prince Zhu Tan, full of 397 wooden figurines, which can be called the miniature version of Terracotta Army.
Zhu Tan is the son of Zhu Yuanzhang, who died at the time of Zhu Yuanzhang's reign, a prince who died early in the Ming Dynasty. He was named king Lu before he was born, and the Wang mausoleum is in Jiulong Mountain, 12 kilometers northeast of Zou city. In this group of wooden figurines, the figurines are wearing long robes with round necklines, waist belts and foot boots. The warrior terracotta warriors are mostly in robes to the feet, and armour outside. Their identities, movements, objects and clothes are different. With a sword, a spear, a spear, a golden gourd, a rattling Festival, an umbrella, a fan, and a lantern, there are also a flute, flute, Sheng, a drum, a drumstick, a clapper, a warrior with a helmet with a halberd, a civil official standing with a hand, and a burly stature guard. This group of wooden figurines was first shown in front of the audience so unearthed.
but in addition to the burial of the wooden figurines, the ruby gold buckles unearthed from the tomb of King Lu are also the first to show to the audience. This little buckle is embedded in 33 jewels, including 1 big sapphires, 4 big pearls, 4 small pearls, 12 Ruby stones, 2 cat eye stones, 1 green turquoise, 6 sapphire 2 It is extremely rare that 1 precious stones, such as precious stones and so many precious stones. The vermilion wooden case, which is the first to be displayed to the audience for the first time, is a golden lacquer for the first time. On the surface of a monochrome lacquer, a special needle or a fine carving knife is used to engrave a fine and delicate ornament and a lacquerware filled with gold in the pattern. The gold lacquer ware was popular in the Song Dynasty, and the gold stamping technology was often used on the Royal implements, which symbolized the majesty and status of the royal family. At the end of the Yuan Dynasty and the beginning of the Ming Dynasty, the craft of lacquer ware was pushed to the climax. The art of the gold stamping was very mature, but it was rare. Therefore, King Zhu's Tan, gold, cloud, dragon pattern, red lacquer wooden box and wooden box can be called national treasure cultural relic.
in the exhibition hall of the Ming Dynasty Lu King exhibition, there is a great treasure of the world, the nine imperial crown, which is also the first open exhibition to the public. According to the history of Ming Dynasty, the crown of the Ming Dynasty in the Ming Dynasty was divided into 12 pieces, with red, yellow, white, black, black, black and 12 jade beads. The prince used 11 and 11 pearls, and the prince could only use 9 and 9 pearls. The nine kings of the king of Lu were 9, 9, and 162 beads. At present, there are only two pieces in the whole country, which are collected in the Chinese History Museum, which is the crown of the archaize crown in the early years of the Republic of China by Yuan Shikai. The other is the crown crown of the prince of Ming in the early Ming Dynasty, which is now hidden in the Museum of Shandong Province, more than 600 years ago, because Yuan Shikai's crown was a modern imitation. So this nine corona is unparalleled.
"Confucius Culture Exhibition"
sixteen "holy sites" out of Confucius'
Shandong is the hometown of Confucius, and the new museum of the Museum of Shandong province has also put "Confucius cultural exhibition" in the important position of the whole cloth exhibition. According to introducing, this is the most authoritative and most detailed exhibition of Confucius's cultural relics.
walked into the exhibition hall as if seeing a visualized chronicle of Confucius. The entrance to the door is a full set of thirty-six multimedia players of "the picture of the holy trace". Through the system of induction interactive scroll inquiry system, the full set of Ming Dynasty painting "the map" (Figure 5) can be displayed by the audience, and the audience can choose the content they want to see. The use of this high-tech means makes up for the limitations of the display of single cultural relics, increases the interest and interaction of the exhibition, and enables the audience to get a new experience of visiting.
and then the audience will see the true quality of the paintings of the paintings of the Ming Dynasty (a total of 36, 16). It is the most accurate record of the ancient paintings of Confucius's life so far. In many cases, the new museum opened in the province before it was transferred. This is the first time he has seen so many "sacred maps" since he worked, according to an old expert who has worked in the province for more than thirty years. In addition, "the portrait of Confucius", "the portrait of the Gong Sheng and the lady", "the Confucian Temple sacrifice", "the tableware of Confucius Mansion" and "the costume of Confucius" are all the old collections of Confucius, which belong to rare and rare treasures.
"the Buddhist statue art exhibition"
"Oriental Venus" smile charming
into the Buddhist statue art exhibition, the staff told a reporter about a story about the crown Bodhisattva of the Provincial Museum. The cicadas are the Buddhist statues of the Northern Wei Dynasty. When it unearthed, it broke its arms, so it was praised as "Oriental Venus" by the sculpture industry.
but this beautiful statue has experienced a lot of hardships. In the early July 1994, the statue of the cicadas was stolen. After a few years, there was no message until December 1999. The cicada Bodhisattva was stolen to the British cultural market after being stolen. In 1995, it was bought by the Japanese Art Museum. An exhibition of cultural relics for the museum. With the assistance of all the international friends, China and Japan have negotiated many rounds, finally reached an agreement in April 2001, and signed the memorandum formally. It is determined that by the end of 2007, at the end of the founding of the art museum, the Japanese side will return the rare treasure to Shandong, China. From March 2007 to May, in order to give thanks to the sincerity of the unpaid gift of the statue of the Bodhisattva, 70 pieces of Buddhist relics were organized in Shandong Province, and the Buddhist art exhibition in Shandong, China, was held at the Japanese art show Museum. In January 2008, the cicada statue of Bodhisattva, which had been wandering for 14 years, finally returned to its hometown and entered the Museum of Shandong province. The Museum of Shandong province also has a good relationship with the art museum. According to the agreement signed previously, the cicadas Bodhisattva has been displayed every five years to the art museum. Now, the cicadas, as a precious cultural relics, stand quietly in the showcase of constant temperature and humidity in the new museum of the Shandong Museum, displaying the afterglow of the five hundred years ago and accepting the appreciation and tour of the world. In order to ensure that the statue is no longer stolen, the showcase uses the most advanced anti-theft device in the world, and the alarm line costs 20 thousand yuan.