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Re: village out of the "gold medal cut gold medal"

time:18-08-02 forum:The culture and history of Ji'nan
  At the same time, he grew up with his works. On the basis of tradition, Jiang Qingshui also made innovations in the theme of paper cutting. In the living room, some of the works of paper cutting are suspended. The images of Chinese dragon, the twelve zodiac and the children are vivid, the figures of the ladies and the dreams of the Red Mansions are ingenious, rich in artistic appeal, and the portraits and abstract paintings of the western style of painting. In the works of < br /> Jiang Qingshui, which are engraved nearly ten meters a year, Qingming Shanghe Tu is of course the most noticed.
Jiang Qingshui, standing up from the sofa, pointing to a paper cut paper hanging on the film wall, said it was his best set of works and took about a year to finish it. "This is just a part of it, almost half of the length, the complete version of the paper cutting works 9.8 meters long, together with seven carved out. The living room is a little small and can't be opened. Only one part of the living room can be cut out.
in order to restore the style of the "Qingming River map", Jiang Qingshui took a carvings method, found a complete picture in advance from the network, referred to the copy and outlined the details, and then cut out a knife and hollow out again. "The most difficult thing is the expression of the character, almost a knife can not make a mistake, the narrow paper, a subtle error, can destroy the image, and then destroy the whole paper cutting. The most complex is the tiles on the pavilions and pavilions, the dense tiles, the painter may be able to paint a lot, but the paper cutting needs at least two knife and three knives to outline the image of a tile.
Jiang Qingshui's lover Zhao Yimei recalls that the year of the creation of the river map of the Qing Ming Dynasty, the old ginger was almost the devil and polished every night with a palm - sized paper. "Almost every day can only engrave such a large area. It's a slap in the face." < br /> Jiang Qingshui also used his hand to draw on the paper-cut, a palm area of a building, six people, and a carriage. "Encountered many buildings, many characters, probably half of the speed is not. The key is not to destroy the knife. If you cut it down, you can only change it according to the previous one. "Br /> Golden Prize and a class < br />" I want to impart the art of paper-cutting unreservedly to those who love paper-cutting, and develop the art of paper-cutting. In June, Jiang Qingshui participated in the handicraft skills competition of intangible cultural heritage in Ji'nan with the support of the street, and won the gold medal. Among them, this "Qingming River map" left a deep impression on the judges. On the day of the competition, he cut a piece of "great American spring city" on the scene, combined the spring mark, lotus music fountain and many other elements, showing the features of Ji'nan, and received unanimous praise.
Jiang Qingshui told reporters that he was very happy to be recognized and encouraged by experts. He also hoped that the paper cutting skills would be passed down in the future. In Jiang Qingshui's eyes, he was most happy to support his family. Now his grandson is learning to cut paper from him.
reporter learned from the sixteen Li River Street office that the sixteen Li River Street has been paying attention to the protection and inheritance of the intangible cultural heritage, giving full play to the influence of the non legacy and traditional artists, combining folk custom and important festival activities, by carrying out non remains to schools, communities, and villages. Activities, make the Henan opera, Lv Opera, Shandong express, cross talk, dragon and lion and other intangible cultural heritage go to the stage and walk to the masses, so that the masses fully feel the charm of the remains.
next, the sixteen Lihe Street will fully explore the intangible cultural heritage resources in the area, strengthen the propaganda and guidance, encourage the traditional artists to take the apprentice and give full play to the transmission mechanism and train a number of cultural inheritors.
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