Shun Network - Ji'nan daily
in December 3rd, Ji'nan On the 3 floor of the Ji'nan Press Plaza in West City, a museum with profound cultural connotation and connotation will open the door to exhibit many precious exhibits on a rare day to meet all visitors. And I believe that people who have visited the museum will be impressed and will certainly be amazed at all the exhibits on display. They will be deeply attracted by the rare books and paintings, celebrity handwriting, the signature version of the famous family and so on. It will also feel a feeling that such a museum is built in the Ji'nan newspaper industry. In the building, it is indeed a combination of strong and strong. It does play a great and far-reaching role in the cultural construction of the western Ji'nan and the cultural construction of the whole city of Ji'nan. It will also become a new cultural highland for Ji'nan and Shandong province to inherit the long culture, display the splendid remains and transmit the positive energy. that is so lively. What kind of museum is the museum like? This museum is the Museum of Shandong Chinese literature and art, which was registered by the Shandong provincial Civil Affairs Department and approved by the Shandong Provincial Bureau of cultural relics. Before opening the hall, the reporters went deep into it to explore the camp for the readers in advance.
the first registration form after Mr. Lao she returned home, next to the inscription by Mr. Shu Yi, a son of Mr. Lao She and a famous cultural personage.
the number of collections of collections is huge and many collections are rare in the country of
Shandong Chinese literature and Art Museum has a building area of 3000 square meters. It is inscribed by Mr. Shu Yi, the son of a literary Master Lao She, the director of the modern Chinese Literature Museum, and the director of the honorary curator. The museum also invited Zhang Wei, chairman of the Shandong Writers Association, and more than 20 cultural experts from all walks of life as consultants. Xu Guowei, the famous collector, director of the Museum of fine arts and the founder of the Chinese book net, acted as curator.
Xu Guowei told reporters that the Shandong Chinese Museum of literature and art is divided into the famous ink Museum, the old Chinese oil painting Museum and the Chinese calligraphy Museum, among which the "Lao She special" exhibition has been set up in the famous ink Museum. The collection of all kinds of cultural relics and cultural collections can be described as rich and varied. It features literature, literature, painting and traditional gold stone rubbings, including Chinese calligraphy and modern seal cutting, Chinese Yuan Dynasty painting, Chinese modern painting, modern Chinese modern ink, modern Chinese architectural drawings, Chinese modern art historical data, Chinese New Literature version, Lao She handwriting. Several important categories such as the special district and important cultural historical archives of new China. There are more than 300 paintings and paintings of yuan, Ming and Qing Dynasties, more than 400 paintings in early Chinese famous paintings, 15000 Yu Zhang of inscription rubbings before the founding of new China, more than 500 names of famous seal engraving, and nearly ten thousand paintings of modern celebrities. A considerable number of collections are rare in the country, with a high rare and exhibition display, which is an important supplement to the museum industry in our province and even the national museum industry, which is currently lacking in literature, literature and old oil painting.
talking about the origin and construction of this unique museum is also related to Lao She's son Shu Yi. Xu Guowei introduced that the museum has sprouted from its original conception to its final implementation, and it has benefited from the enthusiastic promotion of many cultural personages. In February 5, 2012, Mr. Shu Yi visited the collection of collections in Ji'nan. Many precious collections made the cultural scholar excited and wrote his plan for the collection at the same time. After listing the collection types in detail, he suggested the establishment of a Shandong literature and art museum. Today, the Shandong Museum of Chinese literature and art, which is about to be established, has changed with the name of the museum. And this experience has become an interesting interlude in the brewing stage of the museum. Zhang Wei, chairman of the famous writer and Provincial Association of writers, also paid special attention to some collections and gave high praise and encouragement. When the museum was built, many scholars and people of insight were concerned and helped.
Shandong Chinese Museum of literature and art collection, research and exhibition in one, with Chinese calligraphy and seal painting, early Chinese oil painting, modern Chinese ink mark, Chinese modern art historical material, Chinese New Literature version, Lao She's handwriting historical materials, etc. To renew the exhibition of the collection, to hold a variety of categories, to display the precious historical relics, to reveal the unsolved mysteries in the history of literature, and to hold various academic exchanges throughout the year, to enrich the national atmosphere of art and culture, to enhance the influence of Qilu Culture in the country, to serve the society better, for the city of Ji'nan Cultural construction service.
and the strong combination of Ji'nan press group and Shandong Museum of Chinese literature and art is also rooted. From Xu Guowei's original idea to the open exhibition of some of the exhibits at the Ji'nan Art Fair hosted by the Ji'nan newspaper group, and the active negotiation between the two parties, especially the major preferential policies of the Ji'nan newspaper group to the Chinese Museum of Chinese literature and art in Shandong, there are no difficulties for the two parties to cooperate with each other. It also contributed to the smooth construction and opening of the Museum of Chinese literature and art in Shandong.
after the official opening of the Museum of Chinese literature and art in Shandong, a series of exhibitions will also be introduced at the same time, presenting to the provinces and cities and even the country's cultural and artistic enthusiasts. Some valuable collections will be introduced separately so that everyone can see them quickly.
more than ten thousand past generations of gold stone rubbings literature value irreplaceable
Xu Guowei told reporters, Shandong Chinese literature and art museum collections of ancient gold stone rubbings over thousands of pieces, these rubbings from Shang Zhou bronzes to modern tablet rubbings, the golden stone years involved for thousands of years, not only the history of the history of calligraphy, The important research material of the changes in characters and inscriptions is also a textual research basis for historical vacancy. This part of the collection can be divided into two categories: first, the considerable number of former generations of goldstones, collectors and old collections;
in the old Tibetan rubbings, the most important and most noticeable one is the old part of Lu Zengxiang, the author of the eight Qiong room Jinshi correction. When Lu Zengxiang used to compile the original rubbings used in the "eight Jones room, gold and stone", when he was not known from land, there were three known places; one for Shanghai, more than 1000, one for the Shandong Museum of Chinese literature and art, the same collection of more than a thousand pieces; and more than 1000 pieces lost to all parts of the society. This part of the museum collection of the Museum of Chinese literature and art in Shandong accounts for about 1/4 of Lu's old collection, including several hundred types before the Tang Dynasty, about 100 kinds in the Tang Dynasty, about 600 species in the Song Dynasty, about 100 kinds of Liao and gold, and about 100 kinds. Most of the Song Dynasty was mainly inscribed on cliff, and some rubbings kept the Lu's postscript and Lu's seal which had not been published, and there were textual research postscript. Therefore, the information revealed by the collection, in addition to the evolution of the history of writing and calligraphy, and the characteristics of each stage, has some inspiration and help to understand the compilation and study of the academic history of gold and stone in the "eight Qiong chamber Golden Stone correction".
in addition, collector Chen Jieqi old Tibetan Qin Langya table stone Zhu Tuo car portrait, good King whole extension, Sui Dong beauty epitaph, Tang Zhaoling six steed Tuo Tuo, Tang Jingjiao popular Chinese tablet refinement, Song Pingjiang map old edition, the yuan Zhao Mengtiao Book inscriptions dozens, "Tang and Song Dynasty eight main cards" initial extension, Ming Dynasty, Ming Dynasty, Ming Dynasty Wen Tianxiang poem Guqin Tuo, the Qing Gao Feng Han inkstone inscription, as well as the Qing Dynasty collector Chen Jieqi, the part of the old collection of rubbings, the Republic collectors Xu Naichang, Wu Yuanqi's part of the Northern Dynasty, the Tang Dynasty epitaph old collection, is also an important collection in the Shandong Museum of Chinese literature and art.
non old Tibetan rubbings are not absolute, but in the process of circulation, there is a lack of evidence handed down by famous masters. In this part of the collection, Han Tuo is indispensable. There are more than 200 kinds of Han Tuo in the Museum of Chinese literature and art in Shandong, which are rare, such as the engravings of the West Han tombs, the opening of the steles in the middle hall of Guangling, the open stele of Yuan Anyuan, the fine edition of the three quid images of Songshan, the three old monuments of the Tuo Tuo Tuo Tuo, and the engravings of the Jing Tuo Tuo Tuo, and the carving of Pao Xiaoyu, and so on. Among them, the stone carving of the tomb of the Western Han Dynasty is extremely rare. Moreover, the tomb stone carving is extremely precise, and the handwriting is very clear.
modern rubbings of rubbings are a special kind of collection rubbings, and the value of literature is also irreplaceable. There are about 500 rubbings of modern inscriptions in the Museum of Chinese literature and art in Shandong. Moreover, most of the famous writers in the late Qing Dynasty and the early Republic of China wrote most of them. Such as Yu Yue, He Shaoji, Wu Dacheng, Wu Changshuo, Kang Youwei, Chen Baochen, Luo Zhenyu, Zheng Xiaoxu. The inscription also includes many categories, such as chronicle, memorial, epitaph, and so on, which is of great significance to academic research in many fields.
China's early oil painting industry is the first
Shandong Chinese literature and Art Museum of China's early oil painting collection of more than 400 pieces, almost included in the various periods of the masterpiece, whether the quality, quantity, or system of the exhibits, in the industry is the first to yield a finger. So far, no exhibition of old oil painting has been seen in China, so the exhibition of this plate will fill the gap in China to a certain extent.
more than 400 old paintings of old oil paintings can be divided into two parts, some of which are early famous domestic works, showing the various features of early oil painting in the macro category; the other part classifies early Shandong oil painting alone, and presents the exploration of our early Shandong artists in the western painting area.
in the early works of famous masters in China, the masters gathered in different styles. This part includes Xu Beihong's more than 20 works of Western painting, Liu Haisu's earliest oil painting "little girl", Lin Fengmian's many paintings, as well as the rare works of early painting masters known to people like Chang Yu, Liang Dingming, Pan Yuliang, Sun Duoci and so on. There are also some early oil painters, though they are gradually forgotten in the course of history, but their achievements are also an inseparable part of the history of Chinese oil painting, such as Ding Song, Wang Jiyuan, Wang Yachen, Wu Dayu, Wang Shi Zi and so on, and their precious oil paintings will also be presented here.
in the early works of Shandong's famous masters, there are also many masters. Such as Lv Yanzhi, Li Chaoshi, Dai Bingxin, Yue Xiangshu, Wang Shikuo and so on, some of them are crossing the sea, studying abroad, and some are buried in research and self-study, but all are worthy of the title of the master. For example, the old generation of art in my province is all through the Chinese and Western paintings, but the western painting is self-taught. A watercolor painting named Qiaotou, which is collected by the Museum of Chinese literature and art in Shandong, is considered to be the earliest western painting found in Shandong. In this part of the western painting, the theme is varied, the portrait of the characters and the scenery are all included, which shows the exploration of the early paintings by the pioneers of Shandong, and also reproduces their important position in the western art of China. The works left by these forerunners are not only artistic, but also important historical materials and documentation.
the archives of new China's literature and history archives, the important cultural historical data archives of the new China,
is a major play in the Museum of Chinese literature and art in Shandong. Here is a collection of important cultural historical materials in China between 1949 and 1966 since the founding of new China. Many documents and files are unique national data collections, with a number of 500 thousand pieces and nearly 10000 photos, which have absolute authority for the study of modern Chinese literature, writers and artists.