The Tibetan family in Shandong has hidden more than 70 pieces of fine products
Shandong commercial newspaper Shandong Commercial Daily
yesterday is the fifth day of the nine cities joint exhibition, which also means that the third nine city joint exhibition, JiNan Railway Station has been on show half way. After a few days prior to the downturn in calligraphy, the collection of calligraphy works came to a "small climax". In a short day, 9 pieces of calligraphy were collected by the Shandong collectors. In the area of painting, many works of artists are still selling well. By yesterday, our province collectors had collected over 70 pieces of fine works. Reporter Li Jie Ma Yanning Dou Hao
Zhang Zhongting works are packed in the collection of
the 9 City joint exhibition at the JiNan Railway Station. In the first few days of the opening, the Chinese paintings are loved by the collectors, while the collection of calligraphy works is relatively cold. But the phenomenon was broken in the morning.
at 10 yesterday morning, several Tibetan families came to the scene of the famous exhibition in the Shandong cultural museum. After an appreciation, one of Ms. Wang, at the price of 100 thousand yuan, packed the 6 calligraphic works of the famous calligrapher Zhang Zhongting.
"because my friend likes collecting calligraphy works, and I like Mr. Zhang's works very much." According to the reporter, Ms. Wang worked in an ornamental company in the provincial capital, this time to participate in the exhibition, he was entrusted by a friend to collect Zhang Zhongting's works: "before my friends have also collected a lot of Zhang's works, I feel that Mr. Zhang's work has a great potential to appreciate, and the level of his works on this basis is raised every year." High. "
in addition to Zhang Zhongting's handwriting, three calligraphic works of calligraphers, Han Che, Yang Bingyun and Jing Xianghai, were also collected by three collectors yesterday afternoon. In this regard, a senior collector explained to reporters: "generally speaking, most of the people who like to collect calligraphy are most senior collectors. They are very calm, and they will usually go through a survey and judge, so it is likely that in the next few days, the collection of calligraphy works will appear a strong rise."
the first oil painting sold
as a traditional collection of calligraphy and painting, Shandong's oil painting collection has always belonged to the "small crowd", so the collection of oil painting collection at JiNan Railway Station was not high in the first two years of the nine cities, but the collection of oil painting collectors recognized "investment oil painting is the investment future" Point of view.
at noon yesterday, Mr. Zhao, who came to visit the joint exhibition of the nine cities, collected the Chengdu oil painter Li Bing's "old street series nineteen", which became the first oil painting of the first part of the nine city exhibition. According to Mr. Zhao, he has been engaged in the collection of calligraphy and painting for many years, and has always felt that oil painting is a potential collection direction: "I think the collection of oil paintings will be hot for a few years."
and the choice of Li Bing's work is also related to Mr. Zhao's experience: "I lived in Shanghai when I was young. The building in this painting is like a building in Shanghai, so I bought it, this is the so-called" eye edge "!"
some works continue to sell
. In addition, in the 9 City joint exhibition, a number of calligraphers and calligraphers who have attracted the attention of the collectors continue to be hot.
after the sale of the day before, two Zhuang Guoliang's works were added to the exhibition hall yesterday, but one of them was recently collected by the Tibetan. Mr. Zhang, who had previously bought 2 "toad fun", told reporters that Zhuang Guoliang's works, though they were first made in such exhibitions, had a profound, exquisite, vivid and unrealistic picture of their works, and the price is far below its own value and the value of appreciation is huge. . "I have made a preliminary understanding of the relationship of friends. The painter himself is not a particularly famous painter in the circle, but his talent is very high and his work is solid. The strength of his works is not inferior to that of the famous painters. I think it is the platform of the nine cities joint exhibition that allows these creative artists to be recognized by the collectors. Reporters learned that yesterday afternoon, Zhuang Guoliang also added two interesting works of toad, like the Tibetan do not miss.
, in addition, the opening day of the nine cities was sold out of the Lu Hongxiang works, after the restocking, yesterday, a collection of buyers, Lu Hongxiang's works at present only two, welcome to enjoy the collection.
warm hint of
Sun Wentao / >
10 o'clock this morning. Young artist Sun Wentao held a "review of calligraphy and painting practice" at the silver Museum of Shandong Province. He will comment on the works of some fans of calligraphy and painting in detail, and friends who like calligraphy and painting can take their works with their works. To the Lu Yin Art Museum, a professional art discussion with calligraphers and artists.
good works appreciation
Zhuang Guoliang: Shandong Weifang people, work poetry good books, fine research traditional culture, a lot of
name instructors, God understand the essence of the Ming and Qing scholars. Comment on the works: "toad fun" series is one of the most popular series in the nine city exhibition. His works are scattered in ink and ink, and his artistic conception is detached.
Zhang Yutai: Vice Chairman of Ji'nan artists
, painter of Ji'nan Academy of painting. Part time professor at Shandong College of Arts, Shandong arts and crafts college and Qilu Normal University. Member of the Design Association of China American Association.
comment: works not only have the characteristics of traditional calligraphy and painting, but also have the color characteristics of western aesthetics. In this work, we can see a rich connotation collision between eastern and Western cultures through landscapes.
Zhang Zhongting: the painting and calligraphy creation "three is responsible for"
as a calligrapher, Zhang Zhongting will "shut the customs" every year for three months, for a long time "on the post". "
" I think that calligraphers should sink into their hearts and spend some time every year to go to their minds, looking for the artistic conception of calligraphy from the works of the ancients. " Yesterday morning, Zhang Zhongting told reporters at the Shandong provincial cultural center.
in yesterday morning's calligraphy identification activities, although it was raining outside, there were still a lot of Zhang Zhongting fans who came to the scene, with their own collection of Zhang Zhongting works, please "Idol" to identify one or two.
for all the Tibetan who came to the appraisal yesterday, the result is satisfactory. All the works that came to the appraisal are genuine. But for Zhang Zhongting, he is somewhat dissatisfied, and this dissatisfaction comes from "work": "now look back at the works of the previous years, and feel that there are many unripe and dissatisfied places." Zhang Zhongting shook his head. "I feel like I have to continue learning. There is no end to calligraphy."
in Zhang Zhongting's view, as a painter and calligrapher, there should be a sense of responsibility: "simply, the three is responsible, responsible for the Tibetan, responsible for the market, and responsible for it. Some collectors buy a piece of work, which may take a month's salary. If you mess around, it is disrespectful to others. Similarly, if your work is popular in the market, you will have to create better works, or you will not be held responsible for everyone. " In addition, Zhang Zhongting pays more attention to his own responsibility: "every painter and calligrapher should be responsible for his own works, and must have his own conscience."
Du Xiaoquan: ideological is the source of creation
in this nine city joint exhibition. In the JiNan Railway Station, the works of Du Xiaoquan attracted a lot of Tibetan attention. The works of his works are down and magnificent. Although the works of flowers and birds are taught by Wu Changshuo, but they seem to have their own unique things.
in fact, in recent years, the painting and calligraphy circles have been discussing the inheritance and innovation of traditional ink and ink, and many famous calligraphers and calligraphers are also arguing about the difference between western aesthetics and oriental aesthetics. For these disputes, Du Xiaoquan rarely participates in this dispute, but a person's quiet Thinking: "in fact, I think painting and calligraphy creation is in such a way." One problem is how to express your thinking with solid foundation. Do you create your works to express your thoughts, or to earn money in the gallery? A batch of art students enter the university through the examination, then graduating to the society, and gradually go to the market. In the view of Du Xiao Quan, it is not impossible, but he also has a worry: "we should settle more, have their own thinking, and do not have the same people, others say painting and painting to make money, and then lose the price." Value. Those paintings without intentions can only be commodities, not works of art, and their appreciation of space and potential is impossible.
in Du Xiaoquan's view, from ancient times to the present fine paintings, there may be differences in techniques, but the common point lies in "ideological", which is also the pursuit of Du Xiaoquan. His close friend commented that he is a poet type calligraphic painter who sticks to tradition and has strong sense of sufferings and critical spirit.