The embarrassment of Korea's bid for us
with the success of the Chinese characters, Chinese medicine, Chinese characters, Chinese clothes, and the Chinese traditional Chinese medicine, Chinese characters and Han clothes, they have begun to teach the "Feng Shui" from China to the United Nations. UNESCO plans to complete its preparations by 2008. Many people in China are indignant at the news. Obviously, it is a precious cultural legacy left by our ancestors. What makes it easy for them to take away? What is the axiom?
I certainly have the same feeling for this. However, if I think about it again, I can't blame anyone else. For a long time, what attitude have we taken towards the cultural heritage of our nation? How much do we protect? And how much is it destroyed? To this day, have we given enough attention?
it's far away. After the founding of the people's Republic of China, how many precious historical and cultural heritages are destroyed by our own hands because of the prejudices or mistakes of policy makers? Many ancient buildings and ancient sites were dismantled because they were "obstructing the construction of socialism"; many precious cultural classics were torched, and they were said to be "toxic feudal dross"; many foreigners regarded as "treasure" as "feudal superstition" and could only be judged to be unable to study and use, such as the Koreans. In the "geomantic geography" of the remains of the remains... What is even more unthinkable is that some masters and elite figures also hold a negative attitude towards certain national cultural heritage. For example, Mr. Lu Xun once opposed Chinese medicine and referred to it as "a liar who intentionally or unintentionally". He also advocated abolishing the Chinese characters and saying, "Chinese characters will never die, and China will die." "Chinese characters are a good tool for the policy of the fools." ("on the question of new words") Qu Qiubai was more abhorrent to Chinese characters, and he thought "the Chinese character is really the worst medieval pit in the world, the worst and most abominable and most asshole." (two volumes, 690 pages of the Qu Qiubai anthology). Even today, some of our academic "authority" are still there, and the Chinese traditional Chinese medicine is said to be a fraudulent "witchcraft", and the abolition of traditional Chinese Medicine... Since we are all abhorred to the cultural heritage of our own nation, how can we blame others for the use of the past and protect it as a treasure to apply for the world cultural heritage?
or: for many historical and cultural heritage, we are not competing for protection. This is true. In the past years, this is not only a struggle, but a bloody battle. However, I beg to pardon, our contention for cultural heritage can only be "civil war insider, foreign war outsider". The Koreans contended our things step by step, which in itself meant that we had lost the battle. However, the fighting in our own family is smoky and continuous. For example, when a play or a movie is famous, someone immediately comes to fight for the birthplace of the characters or events. Because the Yue Opera "Liang Zhu" hit the whole country, so Zhejiang Ningbo, Jiangsu Yixing, Shandong Jining, Henan Ru'nan and many other places began to rise, and scrambled to "Liang Zhu" to his home. This lawsuit has been going on for many years and has not stopped. Two gifted scholars and beautiful ladies have yet to know where to settle down. In addition, with the disintegration of the "class struggle theory" of our country, some historical and cultural celebrities suddenly incense, so the battle for historical celebrities in recent years has been in all places, a celebrity is often divided into many pieces, there are many native places. Da Shun is a legendary figure in ancient times, and there are many fairy tales in many parts of China. In recent years, as the emperors heat up, Shandong Ji'nan, Heze and Henan Puyang, Shanxi Yuncheng, Hunan Yongzhou and other places, each one cling to each other, in a fight, the "well founded" to strongly Shun Da Shun as his own "fellow townsman". Ji'nan has been awarded the title of "famous Ji'nan scholar" unilaterally, and it also writes biographies and constructs scenic spots, and some people also locate Ji'nan culture as "great Shun culture". These people are fighting for a big fight at home, at the expense of manpower and money, are they really protecting the historical and cultural heritage? I am afraid they can not even justify themselves, because in the homeland, where is the same protection? The real purpose of their story is that they are just trying to win some local interests in order to create a performance project, which has created favorable conditions for Koreans to apply for heritage. In our own house, we compete for each other and have different opinions. We can't form a cohesive force, but we can't clench our fist. Where can it be a rival?
this is not all bad for us. It arouses our patriotism from the other side, and warns us that we can no longer spoil the precious cultural heritage left by our old ancestors. If we can be like a family, we can take a great deal of attention and attach great importance to our cultural treasures; to protect, develop, and unite together to the outside world, no matter who it is and how big it is, it is difficult to take our things away! Source; national information