The new Ji'nan dialect drama "spring city people" sprint ten Arts Festival
source: Ji'nan times author Chen Weimin
after fifth revisions, the dialect drama "Quancheng family" will be held at the Shandong theatre at 7:30 on the evening of September 7th and 8. In October, the play will take part in the ten Arts Festival Competition as one of the two most important plays in Ji'nan, Shandong province.
dialect drama "Spring City family" is a fine masterpiece launched by quyi troupe of Ji'nan city of Shandong province. In April 2013, it participated in the seventh national excellent drama series, received the audience's unanimous praise, and selected the key recommended repertoire of the ten Arts Festival in Shandong province. The play was created by the head of the PLA General Administration talk troupe and Wang Hong, a state level screenwriter. The play was directed by Hu Zongqi, the state first director of the General Administration song and dance troupe and the winner of the Wenhua Prize. The play revolves around the closet of chuanniang, who has lived in the courtyard for nearly 70 years. It leads to a series of sentiments which are also solemn, sad and happy. It shows the true feelings of the wind and rain in the Ji'nan neighbourhood of the spring city. It reflects the simplicity, kindness, enthusiasm and frankness of the Jinan people. Ji'nan's spirit of integrity, innovation and harmony.
the revision of the "Spring City family" has drawn the opinions and suggestions of many drama experts all over the country. It is refined and refined, and is further improved in the view of the repertoire and the visual effect. Today, director Hu Zongqi came to Ji'nan to further polish the play. First, the relationship between "man" and "spring" is more prominent on the theme, reflecting the spiritual realm of "the unity of man spring", reflecting the profound emotion of the Jinan and the spring. In terms of the lines, we should pay more attention to the expression of life oriented, try to use the Ji'nan dialect to the extreme, and highlight the simple, nifty and personalities of the Ji'nan dialect, and further assist the characterization of the character. In the play, the kind-hearted spring mother, the enthusiastic spring master, the plain big Li, the straightforward little student, the pungent cloud, the rap swallow, and so on, are very distinct and impress people. After modification, some details are deleted, and the use of the "baggage" is more closely combined with the plot. It makes the play more clean and fluent, its rhythm, excitement is more concentrated, and the expression of emotion is more implicit. It is a work that allows the audience to look back after a long time. In the visual effect, the redesign of the clothing to make the eyes bright; the lighting design will be more exciting, the stage effect is more real, make people in it, forget to return. Several leading roles of the play have been rehearsed for many times and professional performance training has been made, which will give more brilliant performances on the stage.